Psychology Articles Essay Example for Free

Psychology Articles Essay 1. Glazer, H. R., Clark, M. D., Stein, D. S. (2004). The Impact of Hippotherapy on Grieving Children. Journal of Hospice and Palliative Nursing 6(3), 171-175. This article is a study on the effects of hippotherapy or therapeutic riding on grieving children affected by the death of a family member. The topic focuses on the grieving of children specifically because of the observation that their bereavement often coincides with issues relating to their natural growth and development. Thus, sometimes it is difficult to ascertain whether a child’s reaction should be properly classified as growth or grief (Glazer, Clark Stein, 2004). In order to add substantial information on the literature on childrens bereavement, the authors conducted a study that would determine how a 6-week hippotherapy program would work on grieving children. They sought to determine how stakeholders, such as the parents, children, and adult volunteer would perceive the program (Glazer, Clark Stein, 2004). The study involved a 6-week program where selected children with ages 4 to 14 stayed at the Buckeye Ranch for sessions that taught them how to ride horses. Each session ended with the children telling the things they learned for that session. The parents and adult volunteers were also asked to reflect on their perception of the therapeutic riding session. The authors found positive results from the study, consisting of increased confidence, self-esteem, and trust among the children. The children also gained communication skills as a result of the study. Finally, both guardians and parents found the riding therapy as a positive experience. Thus, they concluded that riding therapy is a good way for finding expression of grief. 2. Andrews, C. R. Marotta, S. A. (2005). Spirituality and Coping Among Grieving Children: A Preliminary Study. Counseling and Values 50, 38-50. This article describes grief as a natural part of human experience. The authors of this paper, however, note that literature on grieving mostly focus on adults coping mechanisms. Particularly, literature on adult bereavement focuses on religious practices and spiritual beliefs as effective coping mechanisms. Therefore, the authors aimed to extrapolate from such literature and attempt to apply major themes among grieving children (Andrews Marotta, 2005). The authors completed a sample size of 6 children between the ages of 4 and 9, coming from various institutions. All participants experienced death within the family in the past 18 months before the period of the study. Parents consent was secured from each participant. During the 3-month study period, children, parents, and main caregivers were given semistructured interviews. Such interviews led to qualitative data. There were also check-in sessions conducted every month. The study utilized a phenomenological approach so that specific aspect so f bereavement could surface (Andrews Marotta, 2005). The authors found that children’s grief are not necessarily similar to that of adults. Children grieve repeatedly as they go from one developmental stage to the next. Certain objects or mechanisms were also found to have been effective in dealing with the grief of children, such as puppets, games, bibliotherapy, and drawings. They also note that certain spiritual aspects like linking objects and connection through metaphorical play may play a huge role in comforting grieving children (Andrews Marotta, 2005). 3. Abeles, N., Victor, T. L. Delano-Wood, L. (2004). The Impact of an Older Adults Death on the Family. Professional Psychology: Research and Practice 35(3), 234-239. This article reviews extant literature on issues of death and dying. Specifically, it is concerned with the impact on the death of an older member of a family to surviving members, particularly on surviving adult children. It also aims to derive implications for treatment based on the study (Abeles, Victor Delano-Wood, 2004). The methodology involved a simple review of literature, both on theoretical and empirical levels, on the topic of death and bereavement. Based on such literature review, the authors suggested individual or play therapy, psychoeducation, and different interventions as treatment options for grief. The authors likewise concluded that each individual may cope with loss or death of a family members in different ways. Some may not undergo the usual stages of grief. Thus, understanding of various coping mechanisms could also help surviving family members in dealing with grief (Abeles, Victor Delano-Wood, 2004). 4. Ens, C. Bond, J. B. (2007). Death Anxiety in Adolescents: The Contributions of Bereavement and Religiosity. Baywood Publishing Co., Inc., 169-184. This article aims to determine possible relationships between religiosity, bereavement, and death anxiety levels of adolescents. This is done to achieve greater understanding of adolescents, who face difficult challenges during bereavement (Ens Bond, 2007). The authors conducted a study with 226 adolescents as participants. These participants have ages ranging from 11 to 18 and come from rural and urban private schools. Both the parents and student participants gave written consent before participating in the study. The authors formulated one questionnaire that consisted of several scales that measure bereavement, religiosity, and death anxiety. This questionnaire was administered to participants and the data was analyzed (Ens Bond, 2007). The data showed a strong correlation between death and grief due to death in the family. Consequently, the authors concluded, grief due to bereavement was the only factor found to independently contribute death anxiety for adolescents. Finally, the authors found weak relationship between death anxiety and personal religiosity (Ens Bond, 2007). 5. Papadatou, D., Metallinou, O., Hatzichristou, C. Pavlidi, L. (2002). Supporting the bereaved child: teacher’s perceptions and experiences in Greece. Mortality 7(3), 324-339. This article reports a national survey conducted by the authors, aimed at determining how Greek teachers perceived bereaved children. More specifically, this study aimed to analyze experiences of children who grieved the death of a relative and a classmate. These aims result from the belief that grief is affected by the level of support received by bereaved children (Papadatou, Metallinou, Hatzichristou Pavlidi, 2002). The authors selected participating population by applying a specific criterion on a list of Greek schools provided by the Ministry of Education, National Statistical Service. The authors handed out 3,500 questionnaires among Greek educators, and data was gathered from the responses (Papadatou, Metallinou, Hatzichristou Pavlidi, 2002). The national survey resulted in several important findings. For one, it appears that Greek educators feel that the experience of death in the family or classmate negatively affect the performance of a bereaved child in school. Moreover, educators who had more years in experience as teachers had more opportunity to observe grieving children and the effect of bereavement on them. Finally, most educators appeared comfortable talking to bereaved students and cooperate with their family to help them cope with their loss (Papadatou, Metallinou, Hatzichristou Pavlidi, 2002). 6. Charkow, W. B. Inviting Children to Grieve. Professional School Counseling. This article discusses the importance of grieving for children who have experienced death in the family. It reviews literature and shows how society and families often shield children from the fact of death. This paper aims to establish the importance of grieving for children by showing how shielding children affects them (Charkow). The article basically reviews literature on death and the responses to its experience. These factors affect how the loss of a person through death could be traumatic to a child. For example, the relationship of the child with the deceased is a relevant factor to consider. Through the study of extant literature on bereavement, the author laid down several implications for stakeholders, such as parents, teachers, and counselors. The author concludes that being up front with children about the realities of death would lead them to cope properly through understanding and grieving appropriately. 7. Cohen, J., Goodman, R. F., Brown, E. J. Mannarino, A. (2004). Treatment of Childhood Traumatic Grief: Contributing to a Newly Emerging Condition in the Wake of Community Trauma. Treatment of Childhood Traumatic Grief After 9/11, 213-216. This article is a response to the events of the 9/11 attack in New York City, which resulted in the death of many parents. The authors report that more than 10,000 children lost parents and loved ones on that fateful day. Hence, the authors concern about childhood traumatic grief (Cohen, Goodman, Brown Mannarino, 2004). This article basically reviews extant literature on childhood traumatic grief, particularly those relating to treatment interventions and psychotherapeutic approaches to childhood traumatic grief (Cohen, Goodman, Brown Mannarino, 2004). After reviewing literature on interventions to childhood traumatic grief, such as client-centered therapy, the authors discussed various factors that affect the assessment and treatment of the condition. Finally, the authors provided suggestions for future directions, particularly since the literature on childhood traumatic grief is still in its infancy (Cohen, Goodman, Brown Mannarino, 2004). 8. Crenshaw, D. A. (2005). Clinical Tools to Facilitate Treatment of Childhood Traumatic Grief. OMEGA 51(3), 239-255. This article aims to describe strategies and techniques that address childhood traumatic grief in order to how clinicians how to address youth experiencing such condition. These strategies use themes such as abandonment and attachment (Crenshaw, 2005). This article’s methodology consisted mainly in reviewing and describing various techniques and strategies used in dealing with grieving children. The authors then analyzed how such techniques helped children with their bereavement (Crenshaw, 2005). The strategies described in this article illustrate how themes such as facing unknown dangers and leaving behind loved ones and family help children cope with loss and address unresolved issues (Crenshaw, 2005). References Abeles, N., Victor, T. L. Delano-Wood, L. (2004). The Impact of an Older Adults Death on the Family. Professional Psychology: Research and Practice 35(3), 234-239. Andrews, C. R. Marotta, S. A. (2005). Spirituality and Coping Among Grieving Children: A Preliminary Study. Counseling and Values 50, 38-50. Charkow, W. B. Inviting Children to Grieve. Professional School Counseling. Crenshaw, D. A. (2005). Clinical Tools to Facilitate Treatment of Childhood Traumatic Grief. OMEGA 51(3), 239-255. Cohen, J., Goodman, R. F., Brown, E. J. Mannarino, A. (2004). Treatment of Childhood Traumatic Grief: Contributing to a Newly Emerging Condition in the Wake of Community Trauma. Treatment of Childhood Traumatic Grief After 9/11, 213-216. Ens, C. Bond, J. B. (2007). Death Anxiety in Adolescents: The Contributions of Bereavement and Religiosity. Baywood Publishing Co., Inc., 169-184. Glazer, H. R., Clark, M. D., Stein, D. S. (2004). The Impact of Hippotherapy on Grieving Children. Journal of Hospice and Palliative Nursing 6(3), 171-175. Papadatou, D., Metallinou, O., Hatzichristou, C. Pavlidi, L. (2002). Supporting the bereaved child: trachers perceptions and experiences in Greece. Mortality 7(3), 324-339.

SWOT Analysis :: Business Analysis Process

SWOT Analysis What is SWOT Analysis? SWOT analysis is a basic, straightforward model that provides direction and serves as a basis for the development of marketing plans. It accomplishes this by assessing an organizations strengths (what an organization can do) and weaknesses (what an organization cannot do) in addition to opportunities (potential favorable conditions for an organization) and threats (potential unfavorable conditions for an organization). SWOT analysis is an important step in planning and its value is often underestimated despite the simplicity in creation. The role of SWOT analysis is to take the information from the environmental analysis and separate it into internal issues (strengths and weaknesses) and external issues (opportunities and threats). Once this is completed, SWOT analysis determines if the information indicates something that will assist the firm in accomplishing its objectives (a strength or opportunity), or if it indicates an obstacle that must be overcome or minimized to achieve desi red results (weakness or threat) (Marketing Strategy, 1998). Elements of SWOT Analysis Strengths and Weaknesses Relative to market needs and competitors' characteristics, a manager must begin to think in terms of what the firm can do well and where it may have deficiencies. Strengths and weaknesses exist internally within a firm, or in key relationships between the firm and its customers. SWOT analysis must be customer focused to gain maximum benefit, a strength is really meaningful only when it is useful in satisfying the needs of a customer. At this point, the strength becomes a capability (Marketing Strategy, 1998). When writing down strengths, it is imperative that they be considered from both the view of the firm as well as from the customers that are dealt with. These strengths should be realistic and not modest. A well-developed listing of strengths should be able to answer a couple of questions. What are the firm's advantages? What does the firm do well (PMI, 1999)? A customer-focused SWOT may also uncover a firm's potential weaknesses. Although some weaknesses may be harmless, those that relate to specific customer needs should be minimized if at all possible. In addition, a focus on a firm's strengths in advertising is promotion is important to increase awareness in areas that a firm excels in. This method not only evokes a positive response within the minds of the consumer, but pushes the weaknesses further from the decision making process (Marketing Strategy, 1998). Weaknesses should also be considered from an internal and external viewpoint. It is important that listing of a firm's weaknesses is truthful so that they may be overcome as quickly as possible.

ICT AND FILM INDUSTRY

Digital technology in the past decade has totally changed the movie industry. Focusing on the crucial procedures of movie making and the impact that technology had on each of the areas, this research would look at recent reforms in the pre-production part of film making, furthermore we will try to know the new instruments, equipment and storage facilities being used by modern film makers and producers. Film distribution and the adverse impacts that technology has had on the movie industry, majorly on the illegitimate sale and piracy of copyrighted material is scrutinized. Post-theatre film distribution and the revolutionary breakthrough technologies in the industry are explored to look at the continuous changes in education and exercise of professionals in the movie industry. Computer generated graphics and the growing impact ICT has made in the industry is covered and the future of the film industry is predicted. ICT played a lot of positive role in different aspect of the world today. It has touched the medical industries, educational sector, governmental sector and even the movie or film industries. This paper discourse on how ICT have positively impacted the movie/film industry today. If we all remember our young age, we probably think of the 1700s, 1800s, or 1900s when the movie we watch are all cassettes or analog, and probably not durable, with the help of ICT today we can see changes in the video technology in the present world. As revolution continues in the movie industries the impacts of ICT have made the following changes; Technological tools have changed the script writing procedures by making use of the internet, using digital editing tools. The internet is also been used by scriptwriters to forward their scripts to producers, directors and potential cast associates in other to be reviewed by each characters either by peer review in a way of online forums. There has been a crucial increase in the past decade in the use of digital video cameras for film with low budget planning along with high definition video which is set to compete and go beyond the standard 35mm film both in quality and flexibility (culkin & Randle 2003). The post production phase of movie making has possibly been the most important impacted by the new technological inclination. The introduction of non-linear technology has made the use of film edited manually inefficient and time consuming. This procedure involves fixing and putting together film in a virtual screen where the directors, producers, and editors view the output of the film on screen. (culkin & randle 2003. p. 8) The whole course of film making has been completely technology driven, everything from the distribution to the projection of movie to audiences (consumers). However, the absence of commercial agreements between distributors and exhibitors of the films has slowed down the conversion to digital technologies. For instance, only 170 cinemas around the globe have converted to what is recognized as high-end digital (culkin & Randle 2003). Profit margins for the studios are recognizably decreasing, now being out casted or outnumbered by the game industry. So satellite delivery have recently made its first implementation on film industry and reports has shown that upon full execution of film distribution, it can save the film industry of cost of $700 million per year. (markman). A major problem the movie industry has been facing for the past years since the introduction of technology in the industry is the piracy and copyright issue. For this reason copyrighted movies have been easily affordable more than the original film produced for distribution. For movie and music content, these lead to quite a few lawsuits against peer-to-peer networks and individuals as result for stealing and distribution of these movies and music materials. This will always be one of the major industries issues the industry would have to face since the public (consumers) has access to this low cost copyrighted material (peer-2-peer and DVD writers). Nevertheless, the movie industry has endeavored to decrease the risk of piracy of movies by creasing the (CSS) known as content scrambling system in which only authentic DVD or VCD products which contain a certain decryption algorithm can play the particular movie. The same technology also has the capability to rearrange the video and audio on the DVD/CD so that only a DVD with the same decryption algorithm can play the film perfectly. The CSS technology is also designed to prevent users from direct copying of data from DVDs. Though, not long after the CSS technology was introduced, Norwegian teenagers reverse engineered a DVD technology by breaking the code that contain the decryption algorithm and uploaded decryption software for users around the world to use. These means that the movie industry would need to keep updating and also find and option to this difficulties (markman). The post-theatre market accounts roughly for three quarters of movie’s income during its lifetime. The principal of these are ideo rental shops which accounts for nearly half of all profits (). The DVD has completely brought a new dimension to the industry, becoming the fastest growing customer electronics item of all time (culkin & Randle 2003). DVD’s have undeniably increased film studio’s income when it decided to provide movie content to the home consumers with unbelievable picture and sound quality which does not worn out like the old VHS cassettes (markman). A new and rapidly developing area in the dis tribution processes of film industries is â€Å"Movie on demand†. This is a scenario where consumers download their desire movie over the internet instead of going down to their local video store or cinema house. The advantage of this technology is that virtually reduction or no-fees are needed to access the movie and the inconvenience if any when travelling to the video rental store or cinema house (culkin & Randle 2003). Rapid changes in the movie industry in recent years have forced many professionals around the world in audio and graphic industries to acquire new and specialized skills. This is an ongoing development in most industries. An example is that the post-production industries are expected to have continuous upgrades of equipment and software which will lead to continual re-training of employees/crews which in turns increase production costs (culkin & Randle 2003). Future distributions might comprise allowing editors in different countries to editors in various countries to edit film by just gaining access to digitized media on a server without actually leaving the comfort of his or her house. Satellite distributions to cinemas are at the vanguard of future film circulations and distributions. George Lucas, the director of star wars is looking forward to using satellite technology to project the rest of the episode in cinemas. This process of digitally distribution of the film through data projectors is known as E-Cinema (& Randle 2003). It is not expensive and definitely flexible in terms of distribution power; nevertheless Cinemas who wish to implement this new technology would have to acquire substantial expenses when converting to digital projection. This technology is very much still in the development level and the impact is not really seen yet (& Randle 2003). Gregory Huang article titled â€Å"the new face of the movie industry† studies the development in computer animated graphics in past years. Recent blockbuster movies like Spiderman 3 are good examples of how far computer graphics have come in recent years. The movie industry have come to a stage in which every single event in film making process can be computer generated . In past years, the technology illustrations of faces have not looked real when seen a lot closer as it is easier to make non-human objects like dinosaurs real, moreover, improvements in rendering human body or skin, lighting or darkening digital scenes and examining human characters or actors are now allowing animation engineers to manage and take control of every sing movement of pixels in an animated format (skin). Huang (2004) reports that an average budget for a bestseller film cost approximately $150 million where it is exceptional to see more than 50% of funding allocated to just the computer generated effect which in turns raise revenue to about average of $700 million per year. At least we can say that there is no area within the movie industry that has not been impacted by technology over the past years. The major impacts for pre-production phase have been focused on the development of script-writing tools as well as the increase use of internet to distribute script to editors, directors and other important parties within the industry. Generally equipment costs have drastically increased drastically reduced at the same time quality and flexibility of products has increased. The confinement of non-linear technology has all but made hand edited or manually edited movies an extinct and fast-track the whole film editing process (culkin & Randle 2003). The major downside which has increased concerns around film industries around the world is that it has become extremely easy for consumers around the world to copy copyrighted movie material and this keep generating problems in the industries till date. Finally we can say that the advancement in technology would only continue to bring improvement in the movie industries around the world and it is definitely set to revolutionize the industries for years to come.REFERENCECulkin, Nigel & Randle, Keith 2003, Facing the Digital Future: The Implications of Digital Technology for the Film Industry, University of Hertfordshire, Hertfordshire. Huang, Gregory 2004, The New Face of Hollywood, Technology Review, http://www. technologyreview. com/articles/04/09/huang0904. asp? p=0. Markman, David & Vega 2001, Mark, Digital Future: Movie Industry Tries to Keep One Step Ahead of Hackers, Daily Journal, Los Angeles. ICT AND FILM INDUSTRY Digital technology in the past decade has totally changed the movie industry. Focusing on the crucial procedures of movie making and the impact that technology had on each of the areas, this research would look at recent reforms in the pre-production part of film making, furthermore we will try to know the new instruments, equipment and storage facilities being used by modern film makers and producers. Film distribution and the adverse impacts that technology has had on the movie industry, majorly on the illegitimate sale and piracy of copyrighted material is scrutinized. Post-theatre film distribution and the revolutionary breakthrough technologies in the industry are explored to look at the continuous changes in education and exercise of professionals in the movie industry. Computer generated graphics and the growing impact ICT has made in the industry is covered and the future of the film industry is predicted. ICT played a lot of positive role in different aspect of the world today. It has touched the medical industries, educational sector, governmental sector and even the movie or film industries. This paper discourse on how ICT have positively impacted the movie/film industry today. If we all remember our young age, we probably think of the 1700s, 1800s, or 1900s when the movie we watch are all cassettes or analog, and probably not durable, with the help of ICT today we can see changes in the video technology in the present world. As revolution continues in the movie industries the impacts of ICT have made the following changes; Technological tools have changed the script writing procedures by making use of the internet, using digital editing tools. The internet is also been used by scriptwriters to forward their scripts to producers, directors and potential cast associates in other to be reviewed by each characters either by peer review in a way of online forums. There has been a crucial increase in the past decade in the use of digital video cameras for film with low budget planning along with high definition video which is set to compete and go beyond the standard 35mm film both in quality and flexibility (culkin & Randle 2003). The post production phase of movie making has possibly been the most important impacted by the new technological inclination. The introduction of non-linear technology has made the use of film edited manually inefficient and time consuming. This procedure involves fixing and putting together film in a virtual screen where the directors, producers, and editors view the output of the film on screen. (culkin & randle 2003. p. 8) The whole course of film making has been completely technology driven, everything from the distribution to the projection of movie to audiences (consumers). However, the absence of commercial agreements between distributors and exhibitors of the films has slowed down the conversion to digital technologies. For instance, only 170 cinemas around the globe have converted to what is recognized as high-end digital (culkin & Randle 2003). Profit margins for the studios are recognizably decreasing, now being out casted or outnumbered by the game industry. So satellite delivery have recently made its first implementation on film industry and reports has shown that upon full execution of film distribution, it can save the film industry of cost of $700 million per year. (markman). A major problem the movie industry has been facing for the past years since the introduction of technology in the industry is the piracy and copyright issue. For this reason copyrighted movies have been easily affordable more than the original film produced for distribution. For movie and music content, these lead to quite a few lawsuits against peer-to-peer networks and individuals as result for stealing and distribution of these movies and music materials. This will always be one of the major industries issues the industry would have to face since the public (consumers) has access to this low cost copyrighted material (peer-2-peer and DVD writers). Nevertheless, the movie industry has endeavored to decrease the risk of piracy of movies by creasing the (CSS) known as content scrambling system in which only authentic DVD or VCD products which contain a certain decryption algorithm can play the particular movie. The same technology also has the capability to rearrange the video and audio on the DVD/CD so that only a DVD with the same decryption algorithm can play the film perfectly. The CSS technology is also designed to prevent users from direct copying of data from DVDs. Though, not long after the CSS technology was introduced, Norwegian teenagers reverse engineered a DVD technology by breaking the code that contain the decryption algorithm and uploaded decryption software for users around the world to use. These means that the movie industry would need to keep updating and also find and option to this difficulties (markman). The post-theatre market accounts roughly for three quarters of movie’s income during its lifetime. The principal of these are video rental shops which accounts for nearly half of all profits (). The DVD has completely brought a new dimension to the industry, becoming the fastest growing customer electronics item of all time (culkin & Randle 2003). DVD’s have undeniably increased film studio’s income when it decided to provide movie content to the home consumers with unbelievable picture and sound quality which does not worn out like the old VHS cassettes (markman). A new and rapidly developing area in the distribution processes of film industries is â€Å"Movie on demand†. This is a scenario where consumers download their desire movie over the internet instead of going down to their local video store or cinema house. The advantage of this technology is that virtually reduction or no-fees are needed to access the movie and the inconvenience if any when travelling to the video rental store or cinema house (culkin & Randle 2003). Rapid changes in the movie industry in recent years have forced many professionals around the world in audio and graphic industries to acquire new and specialized skills. This is an ongoing development in most industries. An example is that the post-production industries are expected to have continuous upgrades of equipment and software which will lead to continual re-training of employees/crews which in turns increase production costs (culkin & Randle 2003). Future distributions might comprise allowing editors in different countries to editors in various countries to edit film by just gaining access to digitized media on a server without actually leaving the comfort of his or her house. Satellite distributions to cinemas are at the vanguard of future film circulations and distributions. George Lucas, the director of star wars is looking forward to using satellite technology to project the rest of the episode in cinemas. This process of digitally distribution of the film through data projectors is known as E-Cinema (& Randle 2003). It is not expensive and definitely flexible in terms of distribution power; nevertheless Cinemas who wish to implement this new technology would have to acquire substantial expenses when converting to digital projection. This technology is very much still in the development level and the impact is not really seen yet (& Randle 2003). Gregory Huang article titled â€Å"the new face of the movie industry† studies the development in computer animated graphics in past years. Recent blockbuster movies like Spiderman 3 are good examples of how far computer graphics have come in recent years. The movie industry have come to a stage in which every single event in film making process can be computer generated . In past years, the technology illustrations of faces have not looked real when seen a lot closer as it is easier to make non-human objects like dinosaurs real, moreover, improvements in rendering human body or skin, lighting or darkening digital scenes and examining human characters or actors are now allowing animation engineers to manage and take control of every sing movement of pixels in an animated format (skin). Huang (2004) reports that an average budget for a bestseller film cost approximately $150 million where it is exceptional to see more than 50% of funding allocated to just the computer generated effect which in turns raise revenue to about average of $700 million per year. At least we can say that there is no area within the movie industry that has not been impacted by technology over the past years. The major impacts for pre-production phase have been focused on the development of script-writing tools as well as the increase use of internet to distribute script to editors, directors and other important parties within the industry. Generally equipment costs have drastically increased drastically reduced at the same time quality and flexibility of products has increased. The confinement of non-linear technology has all but made hand edited or manually edited movies an extinct and fast-track the whole film editing process (culkin & Randle 2003). The major downside which has increased concerns around film industries around the world is that it has become extremely easy for consumers around the world to copy copyrighted movie material and this keep generating problems in the industries till date. Finally we can say that the advancement in technology would only continue to bring improvement in the movie industries around the world and it is definitely set to revolutionize the industries for years to come. REFERENCE Culkin, Nigel & Randle, Keith 2003, Facing the Digital Future: The Implications of Digital Technology for the Film Industry, University of Hertfordshire, Hertfordshire. Huang, Gregory 2004, The New Face of Hollywood, Technology Review, http://www. technologyreview. com/articles/04/09/huang0904. asp? p=0. Markman, David & Vega 2001, Mark, Digital Future: Movie Industry Tries to Keep One Step Ahead of Hackers, Daily Journal, Los Angeles.

Looking for the Drive of A Serial Killer Essay - 2886 Words

Shaice Coulter G. Butler English 101 Research Paper 12/3/13 Mind of a Maniac: Looking for the Drive of a Serial Killer The minds and the inner workings of a serial killer have been analyzed, investigated, and pondered upon for many years. â€Å"Questions such as what makes his or her mind tick? Does he or she target one fitting victim? What are his or her motives?† are some of the most common that spring to mind. We all hold the power of being aggressive, of encompassing unthinkable and destructive thoughts of â€Å"torture, sadism and murder†, but we do not all become serial murderers (Knight, 21). This deviant behavior is often feared because it displays a small but troubled percentage of people who immerse in the torture and death of other†¦show more content†¦The past violence that the subject and his brother suffered through is a large factor in their need for violent satisfaction. The lack of emotional support and adoration can connect with the subject’s sexual gratification that he achieves through killing. Relentless abuse ongoing throughout childhood backed by n eglect in school (often connatural with social mistreatment) can â€Å"create a violent, deviant personality† (Pakhomou, 220). Children are greatly impact with what surrounds them. The negativity and violence that are exposed to them will form lasting flashbulb memories that can shape not only their actions in the future but how they understand and perceive life. Violence plays a big part in developing the characteristics of a serial killer, but there are also other components that can lead to a distraught and homicidal person. In a research composed by James Beasley, he presents several different factors of development into becoming a serial killer through the case studies of seven offenders. Offender number three had multiple challenges that led him to become as aggressive and hostile as he was. As a child, his mother was completely absent and was an alcoholic. His stepfather, who physically and verbally abused him, lacked the comfort and attention any child would need. Af ter learning that he would repeat the third grade, his behavior became hostile and he showed a lack of self-esteem. At the age of seven, the subject already began to showShow MoreRelatedThe Case And The Johnson Case903 Words   |  4 Pagesoffender a serial killer because he has killed 3 people and it has been over a period over 30 days. By looking at different serial killer typologies my firm belief is that this offender will fall into the lust serial killer typology. I concluded this by firstly looking if the crimes were act-focused kills or process kills, I concluded it was process kills because the offender had taken the time to abduct both Parkinson and Johnson and didn t just kill them right away like an act-focused killer wouldRead MoreWhat Drives A Person Insane? 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The term â€Å"Serial Killer† was first coined by Robert Ressler, former director of the FBI’s Violent Criminal Apprehension Program. Serial killers are often defined as people thatRead MoreComparison Of Mass Murderers And Jaffrey Dahmer801 Words   |  4 Pages Notorious Murderers There is always something that drives people to commit murder. Whether it be jealousy, a thirst for power, or money, they always have a reason that explains what they did. When looking at serial killers and mass murderers, that reason essentially gets more complicated. These vicious killers are all violent, brutal monsters and have an abnormal urge to kill. Jaffrey Dahmer and Montress; two horrifying serial killers. Jaffrey Dahmer who is controlled by his sick fantisiesRead MoreLE300J Final Essay1628 Words   |  7 PagesProject LE300J Serial Killers as Heroes in Popular Culture Professor Donna Strong Park University Throughout time many have had a fascination with serial killers and with help from the media they have become celebrities within our culture. There are many books, movies, television shows, and news coverage to introduce viewers to their lives. With all the interest behind serial killers, many wonder how they come to be this violent. The question is often asked, are serial killers born or madeRead MoreThe Forensic Science of Criminal Profiling Essay1436 Words   |  6 PagesThe Forensic Science of Criminal Profiling Profiling: an invaluable tool for catching criminals and killers. Profiling is a relatively new approach to crime solving, put in place by forensic psychiatrists. Criminal profiling is the process by which a practitioner analyses information from a crime scene in order to create physical and psychological profile of the perpetrator. All information from a crime scene is a reflection of the criminals behavior. And this behavior can create a surprisinglyRead MoreZodiac Killer Essay1490 Words   |  6 Pagesdescribe who the Zodiac Killer was, how a serial killer is different from a normal homicide suspect. In addition, I will explain what the Zodiac Killer’s criteria was for selecting his victims and whether forensic psychology or criminal profiling provided input into this case. Finally, I will express my thoughts on why the Zodiac Killer was never captured and what else, if anyhing, could have been done to help find the infamous Zodiac Killer. In order to explain how a serial killer is different thanRead MoreDo Bad Parents Create Mass Murderers? Essay1488 Words   |  6 PagesLondon, the incidence of serial killers had increased at a steady rate. Names such as Charles Manson, John Wayne Gacy, Ted Bundy and Myra Hindley strike fear and horror into the hearts of normal people who cannot comprehend the subhuman actions of such violent people. Arguments still continue as to what drives these people to kill. Many believe that bad parenting and traumatic childhood experiences are a major factor in creating a serial killer, while others believe they Read MoreThe Process of Criminal Profiling as it Pertains to Serial Killers1224 Words   |  5 Pagesprofiling as it pertains to serial killers is extremely interesting and much more common than one would first think. This study deals with the research into the developmental and psychological approaches to serial killers. In the process of studying these offenders, researchers have discovered that crime scene manifestations of behavioral patterns enabled the investigators to discover much about the offender (Jones The Process of Criminal Profiling When Applied To A Serial Killer 1). Most crime scenesRead MoreHarvey s The Beautiful Bones And Profile A Serial Killer1625 Words   |  7 Pagestwisted into a passion to kill. Otherwise known as an ordinary individual, serial killers turn to violence and death in search of power over others, and to explore their fatal addiction to their immoral thrills. Even though the se horrific crimes of a serial killer repulse most individuals, there is still a strange fascination when it comes to these deadly killers. I chose the movie The Lovely Bones to profile a serial killer. In the movie we do not really get a background of Mr. Harvey childhood,